Sunday, 4 May 2014

Blogologues: Review a Sketch (Task 2)

The sketch that I have chosen to review is "20 Guys Trying to Bang a Total Psycho on OKCupid". This is the video link: https://www.youtube.com/watch?v=OMP-anxaOxU.

The material for this Blogologue was collected from an application that can be downloaded on smart-phones called "OKCupid". This app allows you to connect with random people that live near you, so that you can initiate multiple conversations and eventually take it to the next level (dating/going out). The main girl who was acting in the sketch created a fake, wacky OKCupid account in real life in order to get the words for the production's script. Her username was "Marlababy" and she had a dog named Booty, she was looking for men from the ages of 26-72, she really liked movies, and her profile picture consisted of only her shoulder, which shows no sign of whether "Marla" is even attractive or not. The sketch is then followed up with a series of random men rising to the occasion by trying to get Marla to go out with them, even though she is a complete nutcase and they do not know what she looks like.

The staging of the sketch was pretty neat and simple. There was a projector in the background that showed Marlababy's profile, but we can only really see her profile picture and username to give us an idea of what the app looks like. They also use it to show the different points that Marlababy has answered (for e.g. you should message me if...). No other props were used as they were not necessarily required. There was normal, white lighting and the clothes they were wearing were ordinary as it suited the various situations. No sounds could be heard, besides the audience's laughter.

I enjoyed seeing how Marla dealt with the different conversation prompts that were sent to her, which is essentially the entire sketch. It just goes to show how desperate some guys really are and how the world is gradually turning towards online dating mediums, which I personally find rather obscure. The voices that they used suited their personalities really well and they used enough gestures for their individual roles. They used the term "hot-pockets" during their performance, which I quite do not understand. Other then that, everything was clear. One minor change I would like to make to the sketch is the colour of their clothing. Most of the cast members were wearing pink and it seemed a bit too monochromatic. A bit more variety would have been nice to see.

From this sample, I generally feel that the reviews of Blogologues are fairly accurate. For example, as mentioned by the Huffington Post, I agree that their use of virtual/web media in live theatre is very effective and attracts a great number of people, as technology has become a developing necessity in first world countries. However, I do feel that some of the reviews were a bit exaggerated. The Observer: Betabeat, stated that Blogologue performance made them laugh relentlessly, but I do not entirely agree with this, as I only giggled a few times here and there.

https://www.youtube.com/watch?v=OMP-anxaOxU

Source:


Thursday, 1 May 2014

My Brecht Montage

Since we never performed our piece, below, you can watch my montage, and the script created by Sunaira can be viewed as well.



Theme:

Wedding scam. The bride died.

Characters: Igor, Vladlenna, Valentina, Veronika

Script

Act 1: Scene 1

Igor: Valentina, this bread is stale and hard

Valentina: Sorry, father. We do not have enough kopeks for flour and yeast to make more bread

Igor: The crops are failing, it is becoming harder and harder for me to provide for our family

Vladlenna: Father, we are going to starve

Valentina: We do not have enough flour and yeast stored to last the month

Igor: We need a new source of money. Veronika, come here.

Veronika: Yes, father?

Igor: How old are you?

Veronika: 16

Igor: You are of age to be married. We have no choice here. I cannot feed you girls; we do not have the kopeks to feed ourselves anymore. If you get married, I will have one less mouth to feed.

Veronika: No! Father, you cannot do this.

Vladlenna: Father, no. Please do not separate us. After mother passed away, we are the only ones there for each other

Valentina: What if she didn’t really get married?

Igor: What do you mean?

Veronika: A scam?

Vladlenna: No, Valentina, we mustn’t. We are honest people.

Veronika: Vladlenna, even honest people need to change their ways during harsh times


Act 1: Scene 2

Igor: So, all is set for our plan?

Veronika: Yes, father

Vladlenna: I’m not too sure about this, father

Igor: Hush yourself, we need this


Valentina: Make sure you look your best when you meet your groom to be

Note about Brecht Rough and Final Performances

The reason why I have not completed a reflection for these two performances is because we never performed them, due to absences of group members and progression through the drama syllabus. 

Sunday, 27 April 2014

Blogologues: Research (Task 1)

http://livelyproductions.org/home/what-is-blogologues/

Blogologues is a sketch comedy show that uses online media and/or blog posts to create an entertaining performance. Their idea is that there is enough information online to support them and that voicing these everyday shenanigans will give Western society something to relate to. Most people who watched one of their shows commented saying that "it was like memes coming to life". Blogologues were created by Alison Goldberg and Jen Jamula in New York City, spring 2011. The main concept or philosophy of Blogologue performances is to incorporate comedic information from the internet into theatrical viewings. 

The first step the group undertakes is to search for information on the World Wide Web. Some sites that are helpful for them to use include Craigslist, Facebook pages, online dating sites, and much more. They then get permission from the authors of the posts/memes so that it is professionally possible for them to use this information. After doing so, they compile all the information for their particular story together to generate a feasible script. And then, they just need to rehearse and rehearse till they get it right. 

Some typical elements used in their productions include melodramatic acting, strong facial expressions, good articulation, clear voice projection, wild costumes, and so on. 

Groundbreaking. – Rachel Sklar, The Li.st co-founder, Silicon Alley 100
“A genius recontextualization [of the internet]. – Lauren Kaelin & Sophia Fraioli, co-founders, When Parents Text
“Performed expertly, with perfect comic timing and dedication.”— Show Business Weekly
“Blogologues proves that the internet and live theatre can live in harmony.” The Huffington Post
“Unrelenting laughter.” The Observer: Betabeat
“The best thing since the world wide web. – Lauren Leto, co-founder, Texts From Last Night
“For those who think that the Internet and theater can never co-exist, you need to get your asses down to Blogologues.” –Crushable

“Clearly, the best thing to do in New York City.” – Alli & Jen, Blogologues co-creators 

Sources:
"Blogologues." L!VELY Productions . N.p., n.d. Web. 30 Apr. 2014. <http://livelyproductions.org/home/what-is-blogologues/>.
"Home - Blogologues." Blogologues. N.p., n.d. Web. 3 May 2014. <http://blogologues.org/>.

Saturday, 29 March 2014

The Love of 3 Oranges: Review as an Audience Member

"The Love of 3 Oranges" is a play written in 1919 by Russian composer Sergei Prokofiev. Prokofiev's other works include the ballet music for Peter and the Wolf and Romeo and Juliet. I attended the play on both Thursday and Friday, as I was a Front of House member. 

The plot of the play revolves around Prince Tartaglia, who is the son of the King of Hearts. The play begins with the two narrators. Both of them have different outlooks on the play; one of them is very lively and comedic where as the other one is more realistic and sensible. They introduce the play. The King of Hearts is worried for his kingdom as he is growing old and needs someone to step up to his position. His niece, Clarice, is empty-headed and does not have the mental capacity to have such power and to put it to good use. His son, Prince Tartaglia, on the other hand is extremely ill and morose. But, the King suddenly remembers that a doctor once told him that the only way to cure his son is by making him laugh. Aroused at this uncovering, the King orders his PA Pantolone to create and prepare for a massive ball full of elements of entertainment. Leandro, who is the first minister, enters the scene and tries his utmost best to discourage the King from carrying through with his procession, as he wants to marry Clarice and become King instead. Leandro fails to convince him. The celebrations begin and are introduced by the jester Truffaldino. A series of activities take place to achieve laughter from the sick Prince, but nothing seems to work. Fata Morgana (dun dun dun), the evil wiatch, tries to assist Leandro by attending the ball. Her aim is to not make Prince Tartaglia laugh, and she thinks that is possible if she is around because of her sinister personality. The witch disguises herself, but is revealed when the courtiers are playing a friendly game of twister. Truffaldino starts chasing Fata Morgana and she falls. That right there is what it took to make the Prince laugh- hysterically. The witch gets furious and curses Tartaglia, the curse being the love of three oranges (hence, the title of the play). Prince Tartaglia's sick days are over and he is desperate to find his oranges. He takes Truffaldino with him on this adventure. The King of Hearts is extremely upset; even though his son is not ill anymore, he has abandoned his castle. A new character is introduced- the magician Celio, who was previously one of the narrators. She contacts a dark creature known as Farfarello. Celio finds out that Prince Tartaglia and Truffaldino are going to Creonti's castle, as that is where the oranges are. The Prince finds and steals his oranges and leaves the eerie castle. Truffaldino and him have to roam through a desert to get back home. The jester cuts open one of the oranges and a Princess pops out. She is very weak and thirsty, and sine Truffaldino is indeed a clown and clowns can be rather foolish, she does not notice that there is a huge lake of water behind her. Eventually, orange #1 dies. Then, orange #2 dies because of the same reason. The Prince wakes up and realises only one orange is left. He cuts it open and finds Princess Ninetta. She is thirsty as well and he notices the lake of water because the signboard hints to him. They decide that they want to get married. Fata Morgana kidnaps the princess with the help of her coworkers. Smeraldina, who is one of the coworkers, wants to become queen as well- just like Clarice. As Princess Ninetta is kidnapped, Smeraldina goes to the King of Hearts' castle, where Prince Tartaglia is giving his father the good news. But, instead of Princess Ninetta entering the scene, Smeraldina enters and acts as if she was the one that he proposed to. The Prince tries to deny this statement but the King of Hearts says that a royal promise, is a royal promise. Prince Tartaglia was confused and stunned at the same time. I did not quite understand what happened after this, but at the end, Prince Tartaglia gets married to Princess Ninetta, the King of Hearts is happy, Leandro, Clarice, and Smeraldina are punished for their treacherous behaviour, and Fata Morgana and Celio have a dual to the death. 

The production was mainly composed of girl actors, but that did not affect the overall story or characterizations at all. The females that were playing male roles fitted in very well and it was believable that they were boys for the most part. Personally speaking, I feel that the role of Prince Tartaglia, Truffaldino, and Fata Morgana were played extremely well as they were full of energy and their actions depicted the nature of their character. For example, Fata Morgana walked a bit slow, which emphasized on her creepy, slyness. Her makeup was also very effective as the green eye shadow made her look more like a witch. The way Prince Tartaglia portrayed her illness was very believable because it was loud, and the sounds matched her body language. Although her voice was feminine, her costume made her seem masculine, along with her acting skills. Truffaldino's performance was outstanding. The amount of energy she used really added to her silly character. Her costume was very bright and colourful, which attracted my attention. The use of backdrops to display the different locations in the various scenes was clever as not much of the props on stage had to alternate to get the location across. The use of the ramps were advantageous as they were used for different reasons in several of the scenes (for example, the "Lake of Much Water" was behind it). The throne for the King of Hearts was also very convincing. The backstage crew did not take much time to transition betweens scenes, which kept the audience engaged. The smoke machine was extremely cool and some of the scenes would not have the same effect without it. The directing aspect of the play is not really visible to an audience member, as we were not there during the rehearsals of the production, and did not visually see the director's role. However, based on the fluidity of the play, I would have to say that it was directed very well and that the cast and backstage members knew what they were doing. Overall, I was quite entertained in certain sections of the play, but lost interest in other ones. For example, I found the scene at Creonti's castle entertaining, but I did not find the ball/celebration/festival entertaining. The one skill that was highly noticeable throughout the performance was the level of projection that the characters utilized. As this was an acoustic sort of performance, no one used any microphones, except for one singing scene with Truffaldino. The characters were all very loud and easy to hear, which aided the overall perception for the audience. The articulation- especially by Prince Tartaglia, the King of Hearts, and by Fata Morgana- was excellent. 

The technical elements of the play had many positives and negatives during the performance. Firstly, the elements include: the set design, the costumes, the props, sound design, and light design. As I mentioned previously, the backdrops were smartly invented as it showed you the location of the different scenes without having to change around many props. The ramp served many purposes, which made it helpful for the overall production. The costumes were designed and worn very well, as they suited the character's qualities. I would like to emphasise the costumes worn by Fata Morgana and Farfarello. They looked really great and wavy, which grabbed my attention. The colours of these costumes also complemented each other very well (e.g. green and black). Truffaldino's costume suited her character the most because just by looking at her, you can make the assumption that she is a jolly jester. The three oranges did indeed look like three oranges because of their round, orange, net costumes. There were not too many props used, but that made the production simpler and better. Using the black trees for the eerie, forest scenes was an excellent idea, especially when the backstage members were swaying them around with the smoke machine going off in the back. The prop that the narrator/Celio was using made her seem both powerful and weak at the same time, and I think that it looks like it has an element of magic. Using the vessel for the Prince to throw up in was a good idea, and is more effective than him throwing up in the sink or on top of the floor. As I have mentioned earlier, I think the scenes transitioned very well as the backstage crew was efficient and the cast members came on stage at an appropriate rate. If the scene required changes in props, it was done quite efficiently. The lighting was done excellently and on time, as I did not notice any mistakes or hinderances. The spotlight was clear each time and I think the lighting crew did a very hard working, and highly rewarding task as a whole. They did not get distracted and focused on making the performance as good as it could possible be. However, the main weakness of the production comes down to the execution of the sound cues. Although they were accurate most of the time, they were usually played either too late, or too early. For example, during Thursday's performance, Fata Morgana's signature "dun dun dun" sound was either played too late or too early, and she actually kind of scolded the sound manager, which added to the humour. The sound timings improved during the performance on Friday.

Overall, I think the play was produced well and I enjoyed some bits and pieces more than others. I liked the scenes that included Fata Morgana the best because her character just has some vibe to it that I really seem to enjoy. I also liked when Truffaldino interacted with the audience by running around us and throwing a chicken to a member. Prince Tartaglia's acting during his illness was also very enjoyable. If I could change the performance, I would change the ball/celebration scene, because I felt that it did not seem as entertaining as it was meant to be for the story. I would make the horse fight more dramatic and realistic by actually using stage combat and other dramatic elements. The twister could have also been more big scaled and more wild (i.e. wild positions). I expected the show to be a bit worse than I thought, because my first impression of the title of the play was really unusual and I was completely unsure of what the story would unravel. 

Sunday, 23 March 2014

EPIC Theatre: What is Montage?

The term 'EPIC' is an Aristotelian term that refers to a narration that is "not tied to time". The purpose of Brecht's theatre productions were to make you think and observe rather than to just spectate. Arguments were encouraged. One important component to understand before watching any EPIC theatre play is to know that each scene is for itself; it is not chronological in any shape or form, and in fact, it does not need to be. 

Tuesday, 18 March 2014

Production Proposal Reflection

The theme that my group has chosen that is reflected in the play "The Caucasian Chalk Circle" is betrayal. The issue that we are relating it to from modern society is forced marriage, as this is a common concern locally, and will increase our connection to the play. It will not be to hard to make the connection clear in a performance because the act itself has all the necessary information to portray the modern day issue. 

There are five distinctive characters in the scene that we have chosen to do. As we only have four group members, one of us needs to have a double role, and that is completely cool and doable. Sunaira is going to act as Grusha, who is the protagonist of the play. Mezba volunteered to play the role of both Lavrenti and Jussup. Ankita will play the role of Jussup's mother (who is hence the mother-in-law of Grusha), and I will play the role of Aniko, who is Lavrenti's wife (and hence, Grusha's sister-in-law). When we play our characters, we need to have clear and appropriate "gestus" choices in order to reflect our inspiration and us of a Brecht-ian play. Our actions need to be so clear that even a deaf person will be able to understand what is happening throughout the scene. Jussup is especially important for this, as he is pretending to be ill, when in reality, he isn't. His gestures and attitude need to demonstrate this false bodily state. Doing things such as not smiling and making his eyes sag while acting weak would work well. 

Each member in our group has chosen a different element of EPIC theatre. I have chosen montage, as I want to edit short clips. Mezba chose acting as his main element, as he is a great actor. Sunaira has chosen script writing/editing as she prefers working in that field of theatre and enjoys the process. And, Ankita